Approaching infrastructure at both macro and micro scales, Aslanishvili's films assemble a fragmented history of the people who work with or sabotage sites of transit and extraction
Delving into Georgian filmmaker Tekla Aslanishvili's (born 1988) experimental trilogy, The Mountain Speaks to the Sea investigates regimes of infrastructural governance and the disruptive impacts of large-scale energy and transportation projects on the ecologies of the South Caucasus.
